Ready for mastering?

I’m oscillating wildly between love and hate for this one, but here you go – latest scribblings in Cubase.

This uses a couple of bass instruments from “Orca” (free from FXpansion) – Closing and Deepening. Many thanks to @rozz3r for the nudge to download Orca. I’m also using Green Oak’s Crystal (Phased to Meet You and Trouble), LinPlug’s FreeAlpha along with the usual HALionOne suspects, Prologue and Groove Agent ONE drums from Cubase 5.0.

I think this piece really lifts with the drum ‘n’ bass rhythm change at 2’20″, but ask me later today and I’ll tell you I can’t stand that section!

As ever, would really love any feedback!

With Juice, I’m trying to create a kind of retro funk groove complete with high brass stabs and wah wah FX on one or two of the instruments. The addition of the crowd was inspired by Gutterpump. The cheers and general mayhem is actually a recording from a volleyball match.

I wanted this track to contrast with the other three on the EP, whilst using several of the same instruments which ship with Cubase. My intention, having learned at least the fundamentals of recording and mixing with Cubase (out of the box) is to depart from this kind of music and begin on my quest to produce something much edgier. I need new sounds, FSU plug-ins and – to quote Maxi Jazz – “a fresh direction”.

Let’s see how I fare with that!

Update 26/03/09: Mastered version uploaded

Having completed all the parts, I think the challenge with this piece will be the arrangement and I also want to put some little breaks in. It’s a much “funkier” style than the other three from Disarray, but the bass line’s had it’s hooks in me for the best part of a month so it’s nice to progress it into something.

Hopefully tomorrow will be as productive as today, though I’ve got the usual Kids’ Taxi firm to manage and a long run to squeeze in.

02/03/09

The latest piece now has a title – “El nueve de agosto”.

As mentioned, I’m still not done with this. I don’t think there’s too much more, just a counter melody or perhaps some additional arpeggios to accompany the main melody and maybe some alternative instrumentation to lift it a little in the second half.

06/03/09 Update

I’ve made a few changes: swapped out one of the drum kits, removed some of the synth pads, added a flute (from the new HALion Symphonic Orchestra VST set, which is on 90 day trial!) and attempted to “glue” the various sections together.

Frankly, I’m pretty tired of this piece now – mixing fatigue according to @ECmaj7 (thanks for the positive words), so I may come back to remix in a few days before sending to Topfloor Music for mastering. But I’m itching to move on to something a little more interesting. I intend to create a fourth tune to complete the Disarray EP and as soon as that’s completed move in a completely different direction.

07/03/09 Update

Managed to get a couple more hours on this tonight. Changed drum pattern #1 for the fifth time. This time I altered everything, from the pattern itself, to the kit used and all FX. I also removed even more effects from synth pads and reduced the stereo panning and phaser on a couple of instruments.

Unlike our marriage – the date of which is referenced in the title – I’m still not completely convinced by this piece, though I believe it’s ready to send to Pete for mastering. Unless, of course, you can spot any howlers in the mix.

10/03/09 Update

Remixed and mastered version uploaded. Thanks, as ever to Pete @ Topfloor Music for mastering.

Melody 1 [Solo]

I’m not sure if this piece will require more than one melody or whether soloing / featuring instruments such as the bass and percussion in the mix along with the introduction of the “haunted” pitch-bent voice from time to time will be enough. Anyway, here’s the work so far (still a way to go with arrangement etc):

All instruments and preliminary arrangement

Oh, and I’ve also called this one “Capitulation”. What’s that? A track that isn’t called “Dev-2009….” Whatever next?

“…you kept the ‘questioning’ and tension all the way to the end … I reckon you kept it real .. original. Thankyou for that chord at the end! You removed the distraction and now, it is like you ‘asked’ the original question, kept on asking it throughout the song, and the ending is now like the Dot in the ‘?’. Blunt … Bam.” Glyn, Cubase.net

It still needs a bass line and the riff developing *much* more, but to be truthful, I’m already getting bored with it now, so I can’t see this progressing much beyond these opening few bars. Who knows? Maybe I’ll feel a bit more inspired when I’m not mixing at 6:30 in the morning. Why can’t we have 28 hour days?

Just playing around at the moment but I might try to arrange this into something a little more coherent if I can find the time and energy.